For an idea of the desert, Joshua Tree, CA (August 2013)

For an idea of the desert:  Nora Jean Petersen & Fay Ray 

curated by Gladys-Katherina Hernando

August 31, 2013

It is a vast nature. Sands of former lakes and rivers. A mysterious eternity, the definitions of this arid place are almost unfathomable. Layers build to form new shapes. Entropy and erosion. They reveal time in their imprint, perhaps it was only a moment.

From this distance to the city, surrounded by the warm summer air, let the landscape shore up a temporary dislocation in favor of discovery. Be here now.

A forced perspective finds you, a mirror image recording a landscape, to create an ideal position of vision from a single vantage point. Like a hallucinogenic scene from a 1970s science fiction film, these facets simulate movement, light and shadow in flux, to capture the warped symmetry and sun-scorched surface of the desert earth.

What are the codes and signs of the medium? Do the historical echos reach these public lands that hands have barely touched? Can these objects reach for the sky like Joshua or the trees just outside?

The Cahuilla Native Americans used the leaves of the Yucca brevifolia to weave baskets and sandals. Now there are only shapes and trails made by other hands, shadows of bodies lay beside the reversed imprints of natural objects. Monochromatic blackness of form and texture, the art of ritualized behavior.

For an idea of the desert these works collide. They reach from their origin in the city, activated by the howling wind, the concentrated particles of dust, a wandering eye, a beating heart, or a racing mind.

Neptune at opposition.

The waning moon will laugh tonight.

August 31, 2013, Shangrila, Joshua Tree

* * *

Nora Jean Petersen received her MFA from Art Center College of Art and Design and her BA from Sarah Lawrence College. She has exhibited at China Art Objects, Los Angeles; Karen Lovegrove Gallery, Los Angeles; Galerie Nomadenoase, Hamburg; and at the Santa Monica Museum of Art, Santa Monica, among others.

Fay Ray received her MFA from Columbia University and her BFA from Otis College of Art and Design. She has exhibited at various institutions and galleries including Aran Cravey Gallery, Venice; Honor Fraser Gallery, Los Angeles; LAXART, Los Angeles; Gagosian Gallery, New York, NY; and El Museo del Barrio, New York, among others.

All photos © Joel Woodman

INFO about SHANGRILA 2013: Burrito Deluxe, Joshua Tree, California

Organized by Steven Bankhead and Jesse Benson

August 30 – September 1

List of Participants:

Rhiannon Aarons
Amy Radio
Animal Charm
Merwin Belin
Big Girls
MC Sky Burchard
Michelle Chong
Ted Byrnes and Nick Deyoe
Justin Cole
Greg Lenczycki
Alan Nakagawa
AJ Collins
Molly Corey
Mark Desiderio
DJ Debbie Downer
Earth Like Planets
Elephant
Elephant
Alex Becerra
Diana-Sofia Estrada
John Hogan
Sarah Peterson
Guan Rong
Women vs. Children
Thor Evensen
DJ Mark X Farina
Quinn Gomez-Heitzeberg & Astri Swendsrud
Hannah Greely
Daniel Handal
David Hendren
Gladys-Katherina Hernando
Nora Jean Petersen
Fay Ray
Chas Higginbottom
Cannon Hudson
Malisa Humphrey
Ricardo Ibarra
Natalie Jones
Bridget Kane
Farrah Karapetian
Becky Koblick
Jamie Isenstein
Sonia Leimer
Faris McReynolds
Jessica Minckley
Joshua Nathanson
Davida Nemeroff
Net Shaker
Bret Nicely
D’Ette Nogle
Tom Norris
One Finger Riot
Shalini Patel
Josh Peters
Renee Petropoulos
Ben Pruskin
Chadwick Rantanen
Mark Roeder
Svetlana Romanova
Asha Schechter
Elana Scherr
Nicolas Shake
Summercamp’s ProjectProject presents:
Inside Job – with Fatima Hoang
Supper
The Softest Handshake
DJ Jan Tumlir
Torbjorn Vejvi
Chris Wilder
Taylor Zepeda
Rodd Zinberg
 
1030 Shangri La Lane Joshua Tree, California 92252
 
site hosted by Drew Dunlap

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Danielle Adair & Natalie Häusler, Infernoesque, Berlin (July 2013)

July 19, 2013 

Danielle Adair & Natalie Häusler curated by Gladys-Katherina Hernando, Los Angeles

The exhibition of Danielle Adair and Natalie Häusler will present two site-specific sound works that embrace the temporal nature of “The Funny Pit” and its temporary location in Leipziger Strasse, Berlin. The artists will explore the fragmentation of communication and storytelling through visual and experiential methods.

Danielle Adair lives and works in Los Angeles and is currently a Fellow in Film/Video/New Media at the Akademie Schloss Solitude, Stuttgart. Adair’s videos have shown in exhibition and screening venues internationally, and with her current body of work, And I Think I Like It., she has performed most recently at the Kiesel, Friedrichshafen, Human Resources, Los Angeles, and Bruno Glint, London.

Natalie Häusler was born in Munich and currently lives in Paris. She received her MFA in 2011 from Bard College/Milton Avery Graduate School of the Arts, New York and a Diploma with honors and Meisterschueler degree from Braunschweig University of Art. Her work has been shown at PS122 Gallery, New York, Soi Fischer Projects, Vancouver (hosted by Butcher Gallery, Toronto), Chelsea Art Museum, New York, Galerie Warhus Rittershaus, and Cologne and Schnittraum/Lutz Becker, Cologne.

 More information:

Infernoesque Press Release:

This year’s Infernoesque setup invites viewers to muse on the anthropomorphisms of Bataille. The Berliner project room has left its longtime space on Heidestrasse with the aim of utilising a park on Leipziger Strasse for the duration of fourteen weekends.

An exhibition architecture of rough timber planks, designed by the Berlin-based artist Alex Gross under the title Die Lustige Grube (the merry pit), possesses an interior from which the soil has been excavated, revealing bare roots. As provocative as it is unusual, this exhibition space is simultaneously characterised by both presence and retreat. Each exhibition in Die Lustige Grube offers artists and visitors a fresh opportunity to fathom the singular architectural location that is Leipziger Strasse, in the centre of Berlin, and to develop unique perspectives on place and environment.

In close contact with the life of the city, this park is too urban to allow any sort of ‘wasteland romanticism’. The exhibition architecture, itself a mixture between modernist petrol station and Hieronymus Bosch’s ‘Tree Man’, is towered over by the colourful highrise flats at Leipziger Strasse 40 and 41. Hence the Grube, or pit, is more a depiction of an unexpected detour leading away from the evolutionary path towards the skyscraper. Works shown here cannot avoid asserting themselves within the context of these surrounding structures. The special appeal of the project, however, lies not only in its architectural dialogue, but also in its direct contact with people who live in the vicinity, by whom the project, together with the Wohnungsbaugesellschaft Mitte (Mitte Housing Association) WBM, is supported. This exhibition architecture prepares a stage for the inhabitants of this area.

With its summer programme, Infernoesque furthers its undeviating efforts to make alternative spaces available for artistic experiments that function as aesthetic antipoles to the conventional white cube. The Infernoesque team – Sonja Gerdes, Johannes Weiss, Marius Schmidt, Alex Gross and Anna Mields – has invited international artists to activate dialogue between people and architectures.

The exhibitions will take place during a total of fourteen events from June to September 2013 on Friday and Saturday at Leipziger Strasse 40. For the opening of Die Lustige Grube on Friday, June 7, 2013, Infernoesque will show the work Starline by the New-York-based artists Kerstin Braetsch and Adele Röder. The programme to follow, which will consist of exhibitions alternated on a weekly basis, has been created by artists and curators from Berlin, London, Glasgow and Los Angeles. As a summary of the curatorial programme, a special edition of the publication project Pascal Richter will follow.

Click for more information on Infernoesque, Berlin.